“I am a Kid” was a day-dream I had while listening to, I Believe in Your Victory by This Will Destroy You.
I imaged how a young couple would react when put in an adult situation. How immaturity would affect their decisions and reactions. I pictured the girl saying one thing but really meaning another. I imaged her pushing away a person she loved because it was the only thing she knew how to do. Or if she gave herself to someone she didn’t really care about. I thought about the impact a choice could have on both their lives and affect the future of a child.
An hour before filming, my male actor backed out. Savanna and I began to text around and found Danny. He came to our rescue. When it was time to tell Danny and Savanna the plot, I was a bit embarrassed, “So you’re going to tell him you’re pregnant.” I felt weird telling them this as both of them are from my church’s youth group. Thankfully, they both laughed and said okay.
If you noticed there isn’t an establishing shot. The sun was setting when I filmed the exterior scene which was my beginning and end. By the time we got inside the car to film the dialogue, you could see it was evening outside their window. If I left in the end, she would have walked in to daylight. Another slip I made was crossing the line on the exterior shot. A classic mistake that I couldn’t believe I made on my first scene! I decided to leave it out. I read an article from the editor of DRIVE, Mat Newman, which made me okay with my decision.
“What we wanted was to create something that’s very dreamy all the way through. We tried not to use establishing shots so the viewer would be a bit disoriented. The dissolves worked into that intention also. The editing is all about transitions and sustaining the mood and tension.”
To give you some background about myself: I am a commercial editor. I am so used to communicating all my thoughts in 30 seconds. I edit video fast and make them fast. W.Murch’s talks about this, “In The Blink of an Eye.”
“Television is a “look-at” medium, while cinema is a “look-into” medium. You can think of the television scene as a surface that the eye hits and then bounces back…One of the functions of music videos and commercials is to attract your attention and keep it…feature editing has to be paced differently than music videos of commercial editing.”
I decided I’d finish reading the book before I edited my scene. The book was full of good practical tips. It would also give me time to disconnect with the filming and see the footage with some fresh eyes.
Until then, I prepared my footage. I asked my film editor friend about syncing up the visual and audio. He then introduced me to merging clips in FCP. I had no idea about this future! You can watch how to merge clips on youtube.
I took some of Walter Murch’s advice. I did the Photo System, posted the frames on my wall, I edited with no audio, I even tried standing up when editing, all of his wisdom was helping me grow.
When I was ready to edit, I ran in to a problem right away. Since I told my actors to improv, each take was different. Making sense of it all was challenging.
Here is a list of things I learned from this filming:
- Get coverage. Get some close ups even when you think you don’t need them.
- Make sure the time of day you film won’t change during your filming.
- Communicate with your audio person how you want things recorded. Record atmosphere.
- When logging your footage, numbering the clips help. It allows you see that all clips transferred over. Digital transfer sometimes skips clips.
Now I want to hear from you, the viewer. Your honesty will help me grow. Since I created this project in a week, my heart can take your honesty. If you like watching movies I wanna hear what you thought about the scene.
How did you react when watching the scene?
What did you think about the characters?
What would you have liked to see more of?
Thanks for reading this post, I know it was a lot of information. Hope you learned something. I know I did.